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PROJECTS
Fragments-Of-Future-Memories

MANUEL CALVO KAMPER
(2009 - TODAY)


As a soloist I do work completely alone, from the creation (composition, orchestration and arrangements), even until the production (recording, performance, mixing and mastering).
On the performance I play Guitars and Bass, but other instruments for the orchestration are MIDI programmed.
Complete productions until today:
Fragments Of Future Memories (2016)
MISCHUNG (2009)
Kolors-Of-Zound

KOLORS OF ZOUND
(2009 - 2015)



The story of Kolors Of Zound started almost at the same time with my solo project. After composing its debut album "Tales From A White Land", it took me four years to find the right musicians to record and perform its music. Between 2014 and 2015 the band was active playing in Vienna, but ended up splitting in 2015.
Complete productions until today:
Tales From A White Land (2014)
People who collaborated with Kolors Of Zound:
Guglhupf-Ensemble

GUGLHUPF ENSEMBLE
(2014 - TODAY)



In 2014 the Bassist of my band "Kolors Of Zound" invited me to play in another group where he played the Tuba. The "Guglhupf Ensemble" is a Wienerlied group formed by two Singers, one Cello, one Tuba and one Guitar. At the beginning I was a bit skeptic, but then I started to enjoy the project very much.
Hog-Meets-Frog

HOG MEETS FROG
(2012 - TODAY)



Since 2012 I've been playing from time to time with the band "Hog Meets Frog" as a substitute guitarist and while I can, I'll keep collaborating with it. For those who are into underground music, this project is a good choice.
Dynamite-Pralines

THE DYNAMITE PRALINES
(2011 - 2012)



Between 2011 and 2012 I was hired by the songwriter "Martin Missbichler" to orchestrate, perform, and produce some of his ideas. We managed to make a few songs for an EP called "Rock & Roll - Sing It All".

NACIÓ UN CAMPEÓN - MUSICAL
(2008)



In 2008 I was hired by "Grupo Gea - Proyecto K" in Bogotá/Colombia to compose the music for the musical "Nació Un Campeón". This was my first job as a composer and it was very exciting as well as difficult to work with acting students whose voices performed on the recordings.